Topic started by Ah Moi (@ 138.25.71.81) on Tue Aug 29 23:35:51 .
All times in EST +10:30 for IST.
KANDUKONDAIN KANDUKONDAIN
Trend Setter
For Menon, cinema is not a profession. He doesn't consider film-making a task, just a labour of love.
Rajiv Menon's e-mail id is rajivmenon007@hotmail.com. And that's not the only thing the Tamil film director shares with the daredevil secret agent. Menon, 37, is an inveterate risk-taker.
In an industry where most men prefer to play safe, Menon plays for broke. And occasionally he wins.
This is one of those happy occasions. A few months ago, Menon decided to release his second feature film Kandukondain Kandukondain (KK) with English subtitles instead of the traditional
dubbed Hindi soundtrack. His well-wishers warned him that it wouldn't work. But he stuck to his guns.
And he was right. KK is running to house-full shows in its fifth week in Mumbai. It got rave reviews and the word-of-mouth is spectacular: "The reports are consistently good," says columnist Shobha De. In Delhi, it's a similar success story. Running at the PVR-Anupam-4 multiplex, KK is drawing full houses. The film will soon be released in Pune, Ahmedabad and Calcutta. KK has broken new ground.
It is that kind of a film. KK is a family saga of epic proportions that explores the lives of a widow and her three daughters whose lives are suddenly thrown asunder. Menon's inspiration was both his own life and Jane Austen's Sense and Sensibility. His father died when he was only 15 and his mother single-handedly raised him
and his brother. Menon astutely weaves in autobiographical experiences but transposes the boys into girls. Austen provides the rest of the framework.
KK follows the lives of these women. Their loves, their struggle and their eventual triumph over adversity. Says Menon: "The story's certainly not a straight line, not even a triangle, but a pentagon with different corners and angles to it. Somebody's always surprising somebody else." The textured story is complemented by first-rate performances, melodious music and striking images.
Writer Honey Irani points out, "For once, everything else matched the cameraman's work. This was very classically done. Hats off to
the director."
The success is a vindication of Menon's talent. His debut film Minsara Kanavu was a success in Tamil but took a beating in Hindi. Trade pundits theorise that heartland audiences could hardly
relate to the heroine's dilemma of choosing between the man she loves and becoming a nun. But it was more likely the awful dubbing. Having burned his fingers once, Menon decided to steer
clear.
In KK, Aishwarya Rai admirably matches histrionics with National Award winners Tabu and Mammooty. She says the credit goes to
Menon. "He is very good at narrating and he puts a lot of clarity into the character. That made it easy for me to become Meenakshi." Adds Tabu: "He is a complete sport on the set. For him, cinema is not a profession. So he doesn't take it like a task.
KK is a labour of love."
For bread and butter, Menon makes commercials. And he is very successful at it. Ads like those of Titan, Bru, Nescafe, Dove and Asian Paints have earned him a national reputation and a sizeable fortune. As his snazzy two-floor, lime and grey office in Chennai's posh Alwarpet area testifies. But it wasn't always so. Menon has
come up the hard way. When his father, a naval officer, died Menon helped shoulder family responsibility. After graduating from the Film Institute, Madras, he joined Prasad Productions as a steadicam operator and did industrial photography for some time before getting a break in advertising. He also shot Mani Ratnam's
Bombay.
But Menon hasn't always stayed behind the camera. The modern day Renaissance man put on the make-up for a cameo in Fazil's Malayalam film Harikrishnans. KK hero Ajith Kumar says he is
constantly telling Menon that he can pass off as a hero himself.
Menon also sings, a gift from his mother Kalyani, who is a classical singer. And he can converse about anything. But it is movies that Menon loves best. Between films, he spends evenings with Manim Ratnam, chatting about films, cricket, music, waiting for that one word or image that becomes a hook for a movie. Menon wants very much to make films that are "international standard, not NRI standard". "We missed our opportunity to the Chinese or to the Iranians," he says. "If they can, why can't we?"
Why not indeed? Kandukondain literally means "I have found it."
Rajiv Menon definitely has.
Http://www.india-today.com/itoday/20000821/cinema.shtml
Tell your friend about this topic